Title (eng)
Interview Recordings
Poets, Performers & Organisers
Interviewer
Interviewer
Interviewer
Interviewer
Shalini Sengupta
Interviewer
Interviewer
Interviewer
Rachel Bolle-Debessay
Description (eng)
As a part of the Poetry Off the Page project, researchers Shefali Banerji, Julia Lajta-Novak, Claire Palzer, Martina Pfeiler, Shalini Sengupta, and Emily Kate Timms conducted a series of interviews with members of UK spoken word scenes. They have interviewed poets, event organisers, and other performance practitioners to find out about poetry performance histories and practice. This archive contains audio recordings of all PoP interviews except for those conducted by Claire Palzer in the Irish context, which will be archived by the National Library of Ireland.
Keywords (eng)
poetryUKBritish poetryIrelandIrish poetryScotlandScottish poetryWalesWelsh poetryNorthern IrelandNorthern Irish poetryBlack Britishliterary historyperformancetheatreperformance poetrypoetry in performanceoral historyspoken word theatrespoken word poetryone-person showpoetry readingpoetry slaminterviewinterviewing
Subject (eng)
ÖFOS 2012 -- 602008 -- English studies
Subject (eng)
ÖFOS 2012 -- 602003 -- General literature studies
Subject (eng)
ÖFOS 2012 -- 604006 -- Performing arts
Project
Title (eng)
Poetry Off the Page – European Research Council (ERC), Österreichischer Wissenschaftsfonds (FWF)
Acronym
PoP
Project description (eng)
“Poetry Off the Page” is a five-year project, directed by Assoc. Prof. Dr. Julia Lajta-Novak (University of Vienna), and conducted in collaboration with the British poetry organisation Apples and Snakes, the Royal Central School of Speech and Drama, Goldsmiths University of London, Queen Mary University of London, University College Dublin, and the National Library of Ireland. It is supported by an ERC Consolidator Grant and the START-Prize of the Austrian Science Fund (FWF). A vital field of poetic production, the spoken word in poetry has experienced a noticeable boom for more than half a century. Cultural phenomena such as jazz poetry, Beat poetry, dub poetry, and poetry slam have given rise to thriving performance scenes across the world. The proliferation of new technologies and modes of distribution – via archives, the internet and other digital forms – has made spoken word more accessible than ever before. Poetry Off the Page investigates the significance of poetry performance to recent British and Irish literary history, taking account of the aesthetic and political potential of oral performance in conjunction with the alternative institutional structures, publication channels, career pathways, presentational formats, styles, and poetic genres that have emerged from its dynamic performance scenes. Drawing on, and contributing to, the recent digital SpokenWordArchive.org.uk, we historicise British poetry performance. We also conduct in-depth studies on the intersections of spoken word with literary and performance traditions, on Black British spoken-word poetry, the British poetry slam, Irish spoken word, and the spoken-word play. A core aim of the project is to articulate multifaceted theoretical and methodological approaches to poetry performance analysis. By revealing the vital role of oral performance in the history of anglophone British poetry, providing new sources, and cultivating spaces for its study, this project marks a fresh intervention in the study of British and Irish literature and seeks to establish poetry performance research as a recognised branch of historico-literary enquiry.
Start date
2021-09-01
End date
2026-08-31
Temporal coverage
1965-2026
Members (25)
20.08.2024
15.02.2024
15.02.2024
04.06.2024
04.06.2024
04.06.2024
22.05.2025
17.04.2025
22.04.2025