Title (eng)
Interview with Jasmine Gardosi
Interviewee
Jasmine Gardosi
Interviewer
Description (eng)
This interview with poet Jasmine Gardosi was conducted by Shefali Banerji on 6th February 2023. It addresses themes of poetry performance, cross arts practices in poetry performance, queerness, gender identity, mental health, intermediality, music in poetry, and the Birmingham poetry performance scene.
Keywords (eng)
poetryUKliterary historyoral historyperformancepoetry in performancespoken word theatrespoken word poetrypoetry readingBritish poetrytheatrecross artsintermedialityone-person-showmental health poetryqueer poetrymusic in poetrybeatboxingBirminghamBirmingham poetry scene
Subject (eng)
ÖFOS 2012 -- 602008 -- English studies
Subject (eng)
ÖFOS 2012 -- 602003 -- General literature studies
Subject (eng)
ÖFOS 2012 -- 604006 -- Performing arts
Type (eng)
Language
English [eng]
Project
Title (eng)
Poetry Off the Page
Acronym
PoP
Project description (eng)
“Poetry Off the Page” is a five-year project, directed by Dr. Julia Lajta-Novak (University of Vienna), and conducted in collaboration with the British poetry organisation Apples and Snakes, the Royal Central School of Speech and Drama, Goldsmiths University of London, Queen Mary University of London, University College Dublin, and the National Library of Ireland. It is supported by an ERC Consolidator Grant and the START-Prize of the Austrian Science Fund (FWF). A vital field of poetic production, the spoken word in poetry has experienced a noticeable boom for more than half a century. Cultural phenomena such as jazz poetry, Beat poetry, dub poetry, and poetry slam have given rise to thriving performance scenes across the world. The proliferation of new technologies and modes of distribution – via archives, the internet and other digital forms – has made spoken word more accessible than ever before. Poetry Off the Page investigates the significance of poetry performance to recent British and Irish literary history, taking account of the aesthetic and political potential of oral performance in conjunction with the alternative institutional structures, publication channels, career pathways, presentational formats, styles, and poetic genres that have emerged from its dynamic performance scenes. Drawing on, and contributing to, the recent digital SpokenWordArchive.org.uk, we will historicise British poetry performance. We will also conduct in-depth studies on the intersections of spoken word with literary and performance traditions, on Black British spoken-word poetry, the British poetry slam, Irish spoken word, and the spoken-word play. A core aim of the project is to articulate multifaceted theoretical and methodological approaches to poetry performance analysis. By revealing the vital role of oral performance in the history of Anglophone British poetry, providing new sources, and cultivating spaces for its study, this project marks a fresh intervention in the study of British and Irish literature and seeks to establish poetry performance research as a recognised branch of historico-literary enquiry.
Start date
2021-09-01
End date
2026-08-31
Project homepage
Date of production
2023-02-16
Temporal coverage
2010-2023
Material
Audio
Technique (eng)
Recording of an online call using Zoom