Abstract (eng)
This thesis focuses on Karl May’s conception of America and American culture as presented in his novels „Winnteou I-III“, „Der Sohn des Bärenjägers“ und „Der Geist der Llano Estakata“. First the author’s biography is presented in the context of his position in German literature as his work is to be seen as part of a long tradition of travel literature and adventure novels. Methodologically, the thesis is based on a textual analysis of May’s novels. Several categories such as space, characters, politics / hierarchy, justice, religion, family and time are identified and it is shown how the author makes use of real life historical events and combines them with fictional elements to create the adventurous stories of his heros. The results of the analysis show that May uses detailed descriptions in some areas but that other aspects can only be “read between the lines“. Finally, the question as to how May’s portrait of America and the readers impression of it are created is discussed: The dialectics of the characters, the domination of several categories with others not being presented at all as a result of the author’s focus on the “space“ of the American West, the omnipresent contrast to the reader’s own world and experience. In the reader’s perception America becomes more or less equated and synonymous with the “Wild West“.